My final performance in training with The Actor’s Wheel. This show was a UK tour that holds a special place in my heart.
I had a great time playing the vile Natella Abashvili.
This was one of my first on-stage experiences with puppetry.
I loved the ramshackle maximalist design of this set. It was based mainly around huge metal fence panels that moved and revolved, and drew upon the idea of finding refuge and refugee camps.